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BACHELOR OF
EDUCATION – ENGLISH MAJOR
REVISED
DESCRJPTION OF SPECIALIST COURSES
(With
effect from 1999- 2000 for students
admitted in 1998-99 & 1999-2000)
PREAMBLE
The Skills
Component
The
skills courses offered during the first
four semesters (or two years) of the
Bachelor's
programme form a
compulsory part of the language
component of the total curriculum, with
3 credits and a weightage of 150 marks
for each course in each semester. These
courses are aimed at enabling the
students to reach target competence in
the use of English for communication
--listening, speaking, reading, and
writing -- through a learning-centered
curriculum comprising aural/oral
communication, reference or study
skills, intensive and extensive reading,
written communication, and formal
instruction in grammar. Task-centered
teaching-leaning materials will go a
long way in achieving this overall aim.
To meet
the general and specific objectives of
the various skills courses, the proposed
syllabus envisages . the use of
appropriate materials, classroom
procedures, and testing pattern. the
materials have to be carefully selected
to suit learners of different ability
levels and interests. They have to be
exploited through challenging tasks and
exercises in order to promote learners'
involvement and their communicative use
of the target language in the classroom.
The conventional method of lecturing or,
explication by the teacher (in L1 or in
L2) bas to be replaced by a pedagogy in
which students are actively engaged in
the learning process, the teacher
motivating them and providing feedback.
As for testing, the skills acquired have
to be tested rather than the students'
knowledge of the content of the
materials reproduced from memory.
The
materials for developing the different
skills in students should be accessible
to them linguistically, conceptually,
and culturally; they should be
motivating by being interesting and
relevant; they should be graded in terms
of lexical and structural complexity,
cultural and conceptual accessibility,
and the demands that the tasks and
exercises make on the students; they
should include "authentic" or real -
life materials as well as non-authentic
materials designed for pedagogic
purposes.
The
tasks and exercises should be
problem-posing in nature, not mechanical
and routine, and sufficiently
challenging, calling for a certain
amount of mental and affective
investment on the part of the students.
They should also be related to
different. purposes and hence integrate
different skills, and should promote
different types of classroom
interaction. They should be structured
as well, not randomly ordered. Moreover,
in the light of classroom experience,
the materials, including tasks and
exercises may have to be revised and
supplemented from time to time.
It is
important that the conventional
practices of explication or translation,
and dictation of answers to questions
and summaries should be replaced by
student - centered procedures -- that
is, students should first be encouraged
to make an effort to the tasks on their
own. They should also be encouraged to
interact with one another in pairs or in
groups. The teacher should assist the
students when they find the tasks too
difficult to cope-with, by simplifying
or reformulating the tasks and by
providing appropriate feedback at every
stage.
Any
programme of teaching a language within
a university curriculum will prove to be
a success. only if, along with the
course materials and methodology, the
test format too is geared to meet the
objectives of the programme. Thus, the
tests should be designed to test the
language abilities or skills' of the
students in communicative contexts
rather than their ability to memorize
the content of the materials used in
class. There should be provision in the
test format for including tasks that the
students have not actually encountered
in class but similar to ones done in
class.
The
traditional role of the teacher as an
explicator of texts and giver of all
knowledge must be replaced by his role
as a facilitator of the learning process
and a consultant. The
management of different types of
classroom interaction also calls for a
special kind of teacher orientation.
Besides, the teacher bas to be
resourceful and flexible in the
classroom because he bas to be
responsive to leaner differences and
needs.
In ail
the courses in writing, there should be
a strong emphasis on writing English
for effective communication. Hence there
should be a shift away from mechanical
drills of specific linguistic structures
towards the purposeful use of language
in performing meaningful tasks, thus
building up both the need and the
ability to communicate in English.
Besides
this general thrust, two key principles
must underlie the materials,
methodology, and testing for these
courses: first, that composition
involves the ability to construct texts
and not merely sets of grammatically
correct sentences; second, that such an
ability is best developed when
(a)
learners have a clear idea of what is to
be said, and
(b)
they know how to say it. In other words,
composition work will be
meaningful and
purposeful only when sufficient guidance
is provided to learners on both content
and organization. Some of the
traditional methods of teaching
composition are to tell the students
about the forms and features of a
piece of writing (e.g., a letter) and
then to get them to write one following
a set of rules (do's and don'ts), or to
give them 'model' pieces of text which
the students are required to 'imitate'.
But it will be more useful to emphasize
the process of discovery by which the
learners discover for themselves the
features of a piece of writing and then
go on to do the main writing task(s).
Besides, the students should be
encouraged to re-read, edit, revise, and
redraft their own writing.
The Linguistics
Component
The
linguistically-oriented courses will
focus on Some or the recent developments
in linguistics and its applied aspects
and will be influenced, in the selection
of content and methodology of teaching,
by what is relevant to the immediate
needs of the students and by the level
of intellectual grasp of the students.
The theoretical input where
unavoidable, is intended to increase the
students' knowledge of the structure of
English and their awareness of English
in use, as well as the specific problems
of teaching and learning English as a
foreign/second language. The primary
goal of these courses is to facilitate a
practical application of linguistic
principles and knowledge to languages of
interest to the students of education.
The Literature
Component
Basically,
methodological changes have been
proposed with regard to the literature
courses in the curriculum. First, in the
case of input, the accent is on intake
through learner-initiative. Secondly,.
with a view to promoting learner
autonomy, some texts in each course may
be prescribed for self.-study, at the
discretion of the teacher, thereby
affording greater
challenge to students in mixed-ability
groups such as the ones we have.
Thirdly, in evaluation, questions are
meant to test the learners' ability to
come to grips with a literary text more
specifically, with the language of the
text, instead of merely testing their
ability to reproduce the contents of a
"handout". These changes ,will, as there
are indications already, prove to be a
healthy check on absenteeism (in the
classroom) and malpractice (in
examination bail).
Changes are also
proposed in the sequencing and
composition of courses, not in their
titles or the basic structure. As it is,
the literature courses are sequenced
strictly in chronological order. This
kind of sequencing is, of course, neat
and simple, but does not match the
linguistic difficulties of Yemeni
students, who are but foreign learners
of English. Alternatively, therefore,
Elizabethan Drama, for example, is now
proposed to be taught at in the fourth
year (Level -IV) instead of in the third
(Level -11).
Moreover, the
teacher should be flexible and judicious
in the choice of texts, taking into
account interests and difficulties of
learners as well as the cultural milieu
in which the texts have to be taught.
The authors,
titles, and forms proposed here are,
but suggestive, neither restrictive not
exhaustive. European and other classics
in Standard English translation might
also be used.
Some Guidelines
for the selections of literary texts
The autonomy of
the teachers who teach literature
courses and their judgment about course
materials should be respected. However,
the following guidelines ought to be
considered while selecting texts for
literature courses:
1- The teacher
needs to consider cultural
appropriateness, price and availability
of text.
2.The texts should
not contain any negative reference to
Muslims relating to their faith in God
and belief in these attributes as well
as in Prophets.
3.The texts should
not present Islam in any derogatory
manner.
4.The texts should
not contain any plain references to
sexuality, such as depiction of
sexuality or intimate scenes in
man-woman relationships.
5.If the teacher
has no other alternative but to choose a
certain text, then he/she had better
gloss over those passages or sections
which go against! do not comply with the
guiltiness (1-4) above.
6.If some of the
values contained in a text are different
from those of the students and the
teacher has no other alternative text to
prescribe, then he/she should make it
clear to the students that the values
that underlie the point of view to the
author and the behavior of the
characters in the text and not those of
the students. The teacher should also
make it clear that the students are not
required to accept the values but merely
to understand there and the text. He may
encourage students to judge those values
critically so that they may have a
deeper appreciation of their own values.
Aims and
Objectives of Teaching Literature for
Students of Education.
Teachers need to
consider that literature courses are to:
a) focus on
developing learner's linguistic
competence more than knowledge about
history of English literature. Literary
works are to help students achieve some
kind of fluency and comfort with
authentic language. Literature helps
learners practice the target language by
writing and speaking creatively, by
developing the ability of expressing
their feelings or conveying feelings of
others. This is to be achieved by
integrating ail language skills while
dealing with literary texts. Literature
thus should provide a better awareness
of the nature of language (as ethical
and rational augments) and how it works
in literature by transferring their
experience to new situation or contexts.
b) develop
learner's critical and analytical
ability to respond to unseen literary
texts.
c) give knowledge
or language about literature as human
activity.
d) promote
healthier attitudes to the world outside
the range of the learner's contact and
interaction.
e) provide a wide
scope for experiences besides developing
the learner's linguistic and cognitive
skills.
It enables the
learners not only to keep up but enrich
their English through contact with
language skills.
f) motivate
students for comprehension,
interpretation, and enjoyment of
literature.
g) stimulate
reading habits (both extensively and
intensively).
h) encourage
students to feel free with the texts, to
comment, speculate, criticize and, above
all, to employ their own language .
i) give value to
students' opinions, not received ones by
offering them a number of open-ended
questions that elicit personal response
to sharpen the students' own response to
the literary work.
j) encourage
students to see a literary text as a
stepping stone to fully acquire the
target language, i.e. involvement, not
loss of involvement; the ability to
communicate not fail me.
k) contextualize
literary texts by introducing, when
necessary, some basic information about
literary trends, movements, school of
thoughts that are important in
approaching literary texts.
Note:
a) In choosing
texts, teachers need to take into
account cultural appropriateness,
availability of the texts and their
prices. -It is suggested that students
should be involved in selecting texts.
b) The authors,
titles and forms are but suggestive,
neither restrictive nor exhaustive.
c) European and
Arabic classics in English translation
(e.g. Tolstoy, Cervantes, Alexander
Dumas, Moliere, Mahfoliz, Arabian
Nights) might be used.
d) Some pieces may
be prescribed for self-study at the
discretion of the teacher.
4)Outline of
Courses
FIRST
YEAR – FIRST SEMESTER
Spoken English 1
(3 Credits)
This course is the first in - a series
of four consecutive courses intended to
develop the students' oral skills
through authentic materials in the form
of formal and informal conversations.
Communicative acts are emphasized
through dialogues that reflect different
communicative events, such as greeting,
parting, introducing, suggesting, asking
and giving directions, inviting,
accepting and refusing invitations,
apologizing, am describing objects.
Students' pronunciation will be
developed and improved as they practise
and initiate dialogues in real-life
situations. Moreover, they will be
introduced to the description and
transcription of sounds of English
following the International Phonetic
Alphabet (IP A) System, drawing their
attention to the difference in
pronunciation between American English
and British English.
Reading -1 (3
credits)
The general
objectives of the reading courses will
be:
(I) To introduce
students to various study skills or
reference skills such as dictionary
reference, note-making and note-taking,
channel conversion or information
transfer (from tables, graphs, charts,
etc. to descriptive accounts and vice
versa), and the use of the library.
(II) To train
students in various reading skills such
as, skimming and scanning (see the list
below), and to develop in them the habit
of silent and fast reading.
(III) To train
students in close, critical reading of
discursive as well as imaginative texts
(indeed, a variety of text-types) for
comprehension, analysis, interpretation,
and evaluation.
(IV) To stimulate
students to read texts of a wide range
on their own.
More specifically,
'Reading -I' is aimed at developing in
the students the following reading
abilities:
a) Identifying the
topic or central idea of a passage or
text.
b) Skimming a text
to identify general ideas and
information.
c) Skimmarising
the main ideas of a text.
d) Scanning to
locate specific information or details.
e) Understanding
the underlying organization of a text.
f) understanding
the writer's purpose.
g) Understanding a
text with the help of extratextual
features such as visual dues (pictures,
etc.) [NOTE: This list of "abilities has
to be viewed and used only as a
checklist for guiding the selection of
materials and appropriate classroom
activities and procedures, and as
criteria for assessing the student's
achievement at the end of the
course(s).]
Writing-I (3
Credits)
The general
objective of the courses in writing,
which form an important component of the
skills courses, is to develop in the
students writing skills required to cope
with the various communicative needs in
their academic studies as well as later
on m their careers. The specific
objectives of the courses in writing is
to develop m learners the following
writing skills:
a) Writing short
discourses in simple and correct English
using suggested information and
organization.
b) making and
using notes and schematic plans.
c) presenting
information briefly, precisely, and
clearly through writing.
d) structuring and
organizing ideas ensuring coherence and
cohesion.
e) introducing
students to different strategies for
developing themes such as description
and narration,
focusing on
audience, purpose, and tone, collecting
and organizing relevant information, and
presenting.
With
a view to realizing both the general and
the specific objectives of the course,
the following topics will be dealt with
in this first module:
1. Narration in
chronological order.
2. description of
persons and objects.
3. Writing
informal letters of invitation,
self-introduction, and inquiry
5)Grammar
1 (3 Credits)
The overall aim of
the four Courses in grammar is to
develop in the students an awareness of
the various aspects of the structure of
modem English and to enable them to
attain a reasonable level of competence
in the language to be able to write
grammatically correct English. The
courses, particularly those offered in
the second year of the programme, are
also intended to strengthen the
students' ability those offered in the
second year of the programme, are also
intended to strengthen the student to
handle with confidence those aspects of
modem English usage which are essential
to express themselves with a high degree
of stylistic appropriateness and
acceptability.
The first module
in grammar will deal with these topics:
I) Parts of
Speech:
(a) Nouns
(Countable, Uncountable, Special
Singular)
(b) Verbs:
(Stative, Dynamic. Intensive. Mono Di. &
Complex Transitive)
(c) Adjectives:
(Attributive and Predicative; Adjectives
of Colour, Size, Shape, etc.; Order of
these adjectives)
(d) Sentential
(.Disjunctive), Predicate Phrase
adjuncts; Adverbs of Place, Tune &
-Manner
(c) Articles:
Article features, Generic, Specific, N
on- Specific, and Definite)
Introduction to
Literary Forms -1 (3 Credits)
This course aims
at introducing students to the forms of
literary prose, such as fiction
(including short fiction) and essay, as
well as types of drama, and their
salient features, such as theme, plot,
character, fiction) and essay, as well
as types of drama, and their salient
features, such as meme, plot, character
point of view, and tone. Emphasis will
be on reading and comprehension of such
texts and the identification of
structural and sense devices employed in
them. Besides gaining language in this
course, students need to acquire general
techniques to be transferred to other
literature courses. This Course,
prepares students for fiction and drama
courses that are to be studied later.
The assigned texts may vary but a book
from the department has been issued to
meet the purpose .
FIRST YEAR –
SECOND SEMESTER
Spoken English -2
(3 Credits)
The course is an
extension to Spoken English -1 that is
intended to improve students' oral /
aural skills through authentic materials
in the form of formal and informal
conversations. More emphasis will be on
social contexts of the dialogues to
enhance the students' experience in
spoken English in different situations.
Communicative events that are practised
in this course include: asking for
permission, expressing ideas, feelings
and opinions, correcting
misunderstanding, ordering food, hiding
feelings, offering, complementing,
confirming information, and comph1ining.
Students will also be introduced to the
English vowel System and diphthongs in
both American and British English.
Techniques, such as dictation and
spelling games, might be used.
Reading
-2 (3 credits)
In addition to
reinforcing the skil1s developed In
'READING-F, special focus will be given
to the following reading abilities:
a) Understanding
the logical relationships between parts
of a text and within sentences such as,
cause- effect, general ·specific,
equivalence in meaning., through
cohesive devices employed in the text.
b) Understanding
whether a statement supports, modifies,
or contradicts another statement.
c) Inferring from
information in a text causes, reasons,
results, conclusions, opinions, etc.
not explicitly stated .
d) Distinguishing
general statements from specific
instances or examples.
6)Writing
-2 ( 3 Credits)
The following
topics will be dealt with in this second
module:
1- Narrating
events using flashback technique and
from different points of view.
2- Describing
places/ scenes and events.
3- Writing short
paragraphs (identifying topic sentences,
developing topic sentences through
specific details, ensuring coherence).
4- Writing
notices, announcements, brief messages.
5- Note-making
(principles of listing and numbering of
points, making notes on short
informative texts).
Grammar
- II ( 3 Credits)
The
following topics wil1 be dealt with in
this module:
(a) Conjunctions:
(1) Co-ordination
Conjunctions (native, Alternative,
Alternative and Additive).
(n) Subordinating
Conjunctions
(b) The Sentence:
Definitions and examples of Simple,
Compound, & Complex
(c) Elements of
Sentence Structure: Subject Verb (V),
Object (O), Complement(C),
and Adjunct (A)(
obligatory and optional)
(d) Basic Sentence
Patterns
(e) Sentence
Processes: Active-Passive,
Affirmative-Negative, Exclamatory-
Assertive, Interrogative (Yes-No, Wh-, &
Disjunctive, Question Tags);
Subject-Verb Concord Notional /
grammatical)
f) Time & Tense
(g) Impersonal
Pronouns: Introductory IT, THERE &
Concord
Introduction to Forms - II (3 Credits)
This course aims
at introducing students to forms of
poetry (such as lyric, sonnet, ode, and
elegy), rhyme, rhythm, figures of speech
such as simile, metaphor, hyperbole,
,connotation. Emphasis will be on
reading, comprehension, and response to
poetry, and Identification of figurative
devices In these emotive texts. Besides
gaining language in this course,
students need to acquire general
techniques to be transferred to other
literature courses, especial1y poetry.
This course prepares students for poetic
terms and poetic techniques that are
present in poetry courses that are to be
studied later. The assigned texts' may
vary but a book from the department is
under preparation to meet this purpose.
SECOND
YEAR – FIRST SEMESTER
Spoken English - 3
(3 Credits)
The aim of
improving students' oral /aural skills
continues in this course. More advanced
practice of sounds is emphasized, where
students practise sound patterns such as
contracting, elision, syllable stress,
word and phrase stress, word reduction
and blending through authentic material.
More complex language functions are also
practised through communicative events
such as: identifying, requesting,
phrasing, preferring, planning future
events, predicting, drawing attention,
warning, promising, supporting and
clarifying ideas.
Reading
- 3 (3 credits)
Besides
reinforcing the skills developed in
'READING-I & II', focus will be on the
following reading abilities:
a) Distinguishing
statements of fact from beliefs,
hypotheses, and expressions of
probability, uncertainty, etc.
b) Using one's own
prior knowledge, beliefs, and
imagination to provide information
related to that given in the text (i.e.,
agreeing with the opinions expressed in
the text or refuting them, giving
reasons)
c) Guessing the
meanings of words and phrases in
context, and understanding idiomatic and
figurative language
d) Selecting
relevant information from a text (or
texts) for particular purposes (e.g.,
participating in a discussion or a
debate, writing a report)
e) Interpreting
charts, graphs, tables and other
diagrammatic or pictorial
representations of information and
drawing conc1usions and generalizations
Writing-3 (3
Credits)
The following
topics will be dealt with in this third
module:
1. writing
paragraphs (focus on cohesive devices)
2, writing short
essays (expository,
comparison-·contrast)
3. writing formal
letters (of inquiry, request and
complaint, placing orders)
Grammar - 3
(Grammar & Usage - D (3 Credits)
The following
topics will be dealt with in this third
module:
(a) Use of
Prepositions
(b) Phrasal Verbs
Vs Prepositional Verbs
(c) Word Confused
(e.g., empty/vacant; refuse/reject)
(d) Subordination:
(Change from Direct to Indirect plus
others)
(e) Anomalous
Finite Verbs
(f) Modals
(g) Short
responses: Ellipsis, Pro-Forms, and
Minor Sentences.
Introduction to
Language -1 (3 Credits)
The following
topics will be dealt with in this
course:
a) Language as
Structure, Skills, and Communication --
The distinctions between the various
aspects of language mentioned above
should be shown through simple
explanations, and examples from English
(and, if possible, also Arabic).
b) Language
functions (Social, Communicative, and
Aesthetic Functions)-- phatic communion,
topics,. settings, interpersonal role
relations, communicative intent, etc. in
a communicative situation, the use of
language in literature, poetic license,
and so on.
e) Language
Varieties (Dialectal and Registral
varieties, their kinds and modes of
identification)
d) Speech versus
writing (Contrastive stress,
Punctuation, Pro-forms, Minor sentences.
Short responses,
Cleft-structures, Ellipsis, and so on)
e) Language
Errors, and the notion of Error
Tolerance (Errors of competence and
errors of performance)
e) Psychology of
Language Learning (only a very brief and
simple account)
Nineteenth Century
Novel (3 Credits)
Study of one novel
each by Charles Dickens, Jane Austen,
George Eliot, and Thomas Hardy. (Any
three texts). Suggested texts arc
Dickens's Great Expectations, Austen's
Pride mid Prejudice, Hardy's The Return
of the Native. The course aims at
literary appreciation, stimulating
reading habits and enrichment of
vocabulary. It builds on the literary
concepts that are intruded m An
Introduction to Literary Forms I.
Teaching method
needs to focus on students' personal
response and personal involvement.
SECOND
YEAR – SECOND SEMESTER
Spoken English. -
IV (3 Credits)
This is the final
course in the series (Spoken English)
that aims at improving students'
oral/aural skills. Students continue to
practise communicative functions, such
as talking about events, reporting:,
congratulating, offering help,
hesitating , accepting /refusing,
expressing surprise: showing sympathy,
regretting, listing,'-- recommending,
and closing a conversation) Intol1ation
rhyme, rhythm, and sentence stress
constitute an essential component of
this course.
READING 4
(3 Credits)
Besides focusing
on the abilities listed below, this
course module should consolidate ail the
other skills emphasized in the three
earlier modules.
a)
Evaluating the ideas/ arguments
developed or presented in atext and
evaluating the organization as well.
b)
Analyzing and evaluating plot,
character, etc. in fictional texts.
c)
Judging the tone of a text or the
writer's attitude towards his readers
and the subject matter dealt with.
d)
Evaluating comparatively texts on
similar themes in terms of ideas, point
of view, tone, purpose and rhetorical
effectiveness.
WRITING 4
(3 Credits)
1)
The following topics will be dealt with
in this final module:
2)
Writing essays (cause and effect,
argumentative, and so on)
3)
Writing letters of application, resumes.
4)
Writing reports (informal, official,
newspaper reports, reports of interviews
and press conferences, technical or
research reports)
Grammar
4 (Grammar & Usage 2) (3 Credits)
This final module
in grammar will deal with the topics:
a)
Clause Analysis (Complementation,
Adverbial Clauses)
b)
Form & Function of Clauses
c)
Finite (Nommai (S, V, 0, C), adjectival
(restrictive or non-restrictive),
adverbial (as many kinds as possible),
and comment clauses),Non-finite
(Participial, gerundial, & infinitive
clauses), & Verbless clauses
d)
Theme & Focus (End focus and Contrastive
focus)
e)
Cleft sentences (Pseudo-Cleft & Regular
Cleft) passive re-visited.
f)
The Principle of End-weight
Introduction. to
Language II (3 Credits)
Besides what
should have been presented in
"Introduction to Language-I", This
course will deal with the following
topics:
a)
Branches of Linguistics
(Socio-linguistics, Psycholinguistics,
and Applied Linguistics)
b) Schools of
Linguistics (Traditional, Structural,
and Transformational) .
Three) Levels of
Linguistic analysis (Phonetics,
Phonology, Morphophonemic, Morphology,
Syntax (IC Analysis), Pragmatics) -
simple definitions, a brief account of
the subject matter, the optimum unit of
analysis involved, and examples of
units, and how each level is integrated
into the one that immediately follows
it.
Nineteenth Century Poetry (3 Credits)
Nineteenth Century Poetry course
inc1udes Romantic poets (e.g. Blake,
Wordsworth, Byron, Coleridge (e.g .. The
Rime of the Ancient Marineer;
Section-I), Shelley, Keats) and
Victorian poets (e.g. Browning,
Tennyson, and Arnold).
The course may
include poems of Blake (e.g.'London',
Tyger') Wordsworth (e.g. 'The Solitary
Reaper', "The world is Too Much With
Us', There was a Boy'), Coleridge (e.g.
'The Rime of the Ancient Mariner',
section I, Kubla Khan') Shelley (e.g.
'Ozymadias,' 'Ode to the West Wind'),
Keats (e.g. 'La Belle Dame Sans Merci',
'Ode on a Grecian Urn', 'To Autumn'),
Tenysson (e.g. 'Ulysses', 'Crossing the
Bar', 'The Eagle', Meeting at Night',
Parting at Morning'), Arnold (e.g.'Dover
Beach') Some of these poems can be given
for self study.
THLRD YEAR - FIRST
SEMIESTER
Advanced
Writing Skills (3 Credits)
The Course aims at
(1) enabling the students to write
informative, argumentative, and
analytical prose; (H) strengthening
their ability to write on topics of
professional interest; (IH) developing
in them appropriate organizational and
stylistic techniques for writing
effectively.
Note: In this
course, stylistic acceptability will be
given greater attention than grammatical
correctness, as the learners are assumed
to have acquired the ability to write
paragraphs with grammatically correct
sentences.
The course will
deal with the following topics:
1) Issues in
Effective Writing (Writer-Audience
relationships; Purpose of writing; Tone
or writer's attitude; Effective style;
Message)
2. Process of
writing (Invention, gathering, and
planning ; Organizing and outlining";
writing a first draft; Revising,
editing, and proofreading)
3- Principles of
Developing Themes (Narrating;
Describing; Comparing and contrasting
classifying; Analyzing causes and
effects; Defining; Arguing;
Generalization and particulars)
4. Organizing
Papers (Types of order; Strategies for
ordering; Beginnings and endings;
Aids to organizing
{e.g.,Out1ining)
5- Building
Paragraphs (Unity, Coherence and
Development; Cohesion).
6-
Style (Point of view Tone; Elements of
effective style; Mechanics of Writing
7. Academic
'Writing (Analysis and evaluation;
Finding and evaluation; Note making;
Organizing materials; Supporting and
documenting)
English
Discourse Skills (3 Credits)
The course aims at
(1) improving the job-specific
professional competence of students, who
are primarily being trained for a career
in education, and 2- giving practice to
students m certain advanced language
skills required of professional teachers
and junior level executives through
varied, creative, and challenging
activities and topic-based discussions.
The course will
deal with the following areas:
1-
Fundamentals of communication
(Elements, dimensions, and levels of
communication; Principles of effective
communication)
2. Interpersonal
communication (Self-concept and
self-awareness; the JOHARI WINDOW; Self-
disc1osure) .
3. Interpersonal
communication (Development of trust,
understanding and supportiveness;
Importance of active listening skills
and clarity of expression)
4. Small, group
communication (Principles and aims;
.Purposes and benefits of group
communication; Attitudes and skills
required of participants; Leadership and
decision making; Problems in small
groups, committees, organizational
meetings, etc.)
5. Public
communication (Preparation and delivery
of information; Patterns of organization
and methods of presentation; Special
emphasis on speeches for and within
organizations; Developing effective
speech habits (articulation, voice
quality, and fluency); Focus on
organization, clarity, and language)
6. Facing
interviews (Desirable attributes:
intellectual abilities, expressive
skills, personal traits, hobbies and
interests; Questions in interviews:
education and training, self-assessment,
activities and interests, goals and
expectations, background)
7. Classroom
discourse (Different roles of the
teacher in the c1assroorn; Lesson
routines and use of appropriate
language: maintaining discipline,
beginning a lesson, ending a lesson,
changes of activity, setting up tasks,
forming pairs or groups, asking
questions, etc..
Phonology and
Phonetics (3 Credits)
The
course will have Three major components:
phonetics, segmental phonology, and
supra-segmental phonology, all of them
approached from the angle of structural
linguistics. The course is intended to
be both content- and practice-·oriented.
a) Phonetics
(Kinds: Articulatory; Auditory; and
Acoustic) -- A detailed description of
Articulatory phonetics in terms of
respiratory, phonatory, and Articulatory
sub-systems; Description of English
consonants in terms of the kind of the
source of air stream involved, the
position of the vocal cords, the
position of the velum, place of
articulation and manner of articulation:
Practice in the production and
recognition of English consonants,
sound-symbol association, and
differentiating English and Arabic
sounds where confusion results; Practice
in the production and recognition of
Eng1ish vowels. (Technical descriptions
of vowels should be avoided at this
stage).
b) Segmental
Phonology (Phonetics and Phonology;
Phone, phoneme and allophone:
definitions,
examples, and appropriate use of
linguistic conventions in representing
them such as, [ ] , and / / , Some
important allophonic variation rules
involving, for example, the voiceless
plosives and the lateral phoneme /1 /
in English; The principles; of phonemic
analysis and in applying them to data
from English (and also from
Arabic if
possible).
c)
Supra-segmental phonology (Word stress:
some guidelines for recognizing word
stress. Stress shift; Tone and
intonation and how they change meaning).
Twentieth
Century Poetry (3 Credits)
Selected poems of
Hopkins, Yeats, Eliot, Frost, Auden,
Larkin, Dylan Thomas, Ted Hughes,
Wallace Stevens, Cummings, and Slyvia
Plath. Suggested texts are Hopkin's Pied
Beauty, God's Grander'.
Yeats's 'Sailing
to Byzantium', 'An Irish Airman Foresees
His Death', 'Eliot's "The Love Song of
J. Alfred Prufrock', Frost's" The Road
not taken', Plath's Mirror', Ted Hugbes'
'Hawk Roosting', Dylan Thomas's 'Do Not
Go Gentle Into That Good Night',
Houseman my Team Ploughing' 'Hardy's
'The man He Killed", Dickinson's
'Because I Could Not Stop For Death ',
Stevens' 'Peter Quince at Clavier,
Auden's 'The Unknown Citizen'.
This course should
be linked to the previous poetry courses
(19* century poetry and An Introduction
to Literary Forms 2). In addition to
ideas and structure of
Poems, the course
needs to touch on 20th century literary
scene and trends to contextualize the
set poems. Some poems may be given for
home activity.
Twentieth Century
Drama (3 Credits)
Selected plays of
Shaw, Eliot, Galsworthy, Arthur Miller,
Tennessee Williams, and One- Act plays
(e.g., The Refund, the last War, The Pie
end the Tart, Bishops Candlesticks).
(Any three plays).
Suggested plays
are Shaw's arms and the man, Miller's
death of a salesman, Williams' a
Streetcar named Desire.
Teaching method
builds on An Introduction To Literary
Forms 1 where students were introduced
to elements and types of drama. The
teacher needs to touch on relevant
literary schools (e.g. expressionism,
realism, naturalism, etc.) to place the
set text in meaningful context.
THIRD
YEAR- SECOND SEMEMSTER
Curriculum (3
credits)
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